SCENE I. Daybreak. Street in front of UPSALL'S house.
A light in the window. Enter JOHN ENDICOTT.
JOHN ENDICOTT.
O silent, sombre, and deserted streets,
To me ye're peopled with said procession,
And echo only to the voice of sorrow!
O houses full of peacefulness and sleep,
Far better were it to awake no more
Than wake to look upon such scenes again!
There is a light in Master Upsall’s window.
The good man is already risen, for sleep
Deserts the couches of the old.
Knocks on UPSALL’S door.
UPSALL (at the window).
Who’s there?
JOHN ENDICOTT.
Am I so changed you do not know my voice?
UPSALL.
I know you. Have you heard what things have happened?
JOHN ENDICOTT.
I have heard nothing.
UPSALL.
Stay; I will come down.
JOHN ENDICOTT.
I am afraid some dreadful news awaits me!
I do not dare to ask, yet am impatient
To know the worst. O, I am very weary
With waiting and with watching and pursuing!
Enters UPSALL.
UPSALL.
Thank God, you have come back! I’ve much to tell you.
Where have you been?
JOHN ENDICOTT.
You know that I was seized,
Fined and released again. You know that Edith,
After her scourging in three towns, was banished
Into the wilderness, into the land
That is not sown; and there I followed her,
But found her not. Where is she?
UPSALL.
She is here.
JOHN ENDICOTT.
O, do not speak that word, for it means death!
UPSALL.
Yet it is true. She sleeps there in that chamber.
Listen to me. When news of Leddra’s death
Reached England, Edward Burroughs, having boldly
Got access to the presence of the King,
Told him that there was a vein of innocent blood
Opened in his dominions here, which threatened
To overrun them all. The King replied,
“But I will stop that vein!” and he forthwith
Send his Mandamus to our Magistrates,
That they proceed no further in this business.
So all are pardoned, and all set at large.
JOHN ENDICOTT.
Thank God! This is victory for truth!
Our thoughts are free. They cannot be shut up
In prison walls, nor put to death on scaffolds!
UPSALL.
Come in; the morning air blows sharp and cold
Through the damp streets.
JOHN ENDICOTT.
It is the dawn of day
That chases the old darkness from our sky,
And fills the land with liberty and light.
[Exeunt.
The New England Tragedies 1868
- John Endicott: DAMATIS PERSONÆ
- John Endicott: PROLOGUE
- John Endicott: ACT I - SCENE I
- John Endicott: ACT I - SCENE II
- John Endicott: ACT I - SCENE III
- John Endicott: ACT II - SCENE I
- John Endicott: ACT II - SCENE II
- John Endicott: ACT II - SCENE III
- John Endicott: ACT III - SCENE I
- John Endicott: ACT III - SCENE II
- John Endicott: ACT III - SCENE III
- John Endicott: ACT IV - SCENE I
- John Endicott: ACT IV - SCENE II
- John Endicott: ACT IV - SCENE III
- John Endicott: ACT IV - SCENE IV
- John Endicott: ACT IV - SCENE V
- John Endicott: ACT V - SCENE I
- John Endicott: ACT V - SCENE II
- John Endicott: ACT V - SCENE III
- Giles Corey of the Salem Farms: DAMATIS PERSONÆ
- Giles Corey of the Salem Farms: PROLOGUE
- Giles Corey of the Salem Farms: ACT I - SCENE I
- Giles Corey of the Salem Farms: ACT I - SCENE II
- Giles Corey of the Salem Farms: ACT II - SCENE I
- Giles Corey of the Salem Farms: ACT II - SCENE II
- Giles Corey of the Salem Farms: ACT II - SCENE III
- Giles Corey of the Salem Farms: ACT III - SCENE I
- Giles Corey of the Salem Farms: ACT III - SCENE II
- Giles Corey of the Salem Farms: ACT III - SCENE III
- Giles Corey of the Salem Farms: ACT III - SCENE IV
- Giles Corey of the Salem Farms: ACT IV - SCENE I
- Giles Corey of the Salem Farms: ACT IV - SCENE II
- Giles Corey of the Salem Farms: ACT V - SCENE I
- Giles Corey of the Salem Farms: ACT V - SCENE II
- Giles Corey of the Salem Farms: ACT V - SCENE III
- Giles Corey of the Salem Farms: ACT VI - SCENE IV