SCENE IV. The street. A crowd, reading a placard on the
door of the Meeting-house. NICHOLAS UPSALL among
them. Enter JOHN NORTON.
NORTON.
What is this gathering here?
UPSALL.
One William Brand,
An old man like ourselves, and weak in body,
Has been so cruelly tortured in his prison,
The people are excited, and they threaten
To tear the prison down.
NORTON.
What has been done?
UPSALL.
He has been put in irons, with his neck
And heels tied close together, and so left
From five in the morning until nine at night.
NORTON.
What more was done?
UPSALL.
He has been kept five days
In prison without food, and cruelly beaten,
So that his limbs were cold, his senses stopped.
NORTON.
What more?
UPSALL.
And is this not enough?
NORTON.
Now hear me.
This William Brand of yours has tried to beat
Our Gospel Ordinances black and blue;
And, if he has been beaten in like manner,
It is but justice, and I will appear
In his behalf that did so. I suppose
That he refused to work.
UPSALL.
He was too weak.
How could an old man work, when he was starving?
NORTON.
And what is this placard?
UPSALL.
The Magistrates,
To appease the people and prevent a tumult,
Have put up these placards throughout the town,
Declaring that the jailer shall be dealt with
Impartially and sternly by the Court.
NORTON (tearing down the placard).
Down with this weak and cowardly concession,
This flag of truce with Satan and with Sin!
I fling it in his face! I trample it
Under my feet! It is his cunning craft,
The masterpiece of his diplomacy,
To cry and plead for boundless toleration.
But toleration is the first-born child
Of all abominations and deceits.
There is no room in Christ’s triumphant army
For tolerationists. And if an Angel
Preach any other gospel unto you
Than that ye have received, God’s malediction
Descend upon him! Let him be accursed!
[Exit.
UPSALL.
Now, go thy ways, John Norton! go thy ways,
Thou Orthodox Evangelist, as men call thee!
But even now there cometh out of England,
Like an o’ertaking and accusing conscience,
An outraged man, to call thee to account
For the unrighteous murder of his son!
[Exit.
The New England Tragedies 1868
- John Endicott: DAMATIS PERSONÆ
- John Endicott: PROLOGUE
- John Endicott: ACT I - SCENE I
- John Endicott: ACT I - SCENE II
- John Endicott: ACT I - SCENE III
- John Endicott: ACT II - SCENE I
- John Endicott: ACT II - SCENE II
- John Endicott: ACT II - SCENE III
- John Endicott: ACT III - SCENE I
- John Endicott: ACT III - SCENE II
- John Endicott: ACT III - SCENE III
- John Endicott: ACT IV - SCENE I
- John Endicott: ACT IV - SCENE II
- John Endicott: ACT IV - SCENE III
- John Endicott: ACT IV - SCENE IV
- John Endicott: ACT IV - SCENE V
- John Endicott: ACT V - SCENE I
- John Endicott: ACT V - SCENE II
- John Endicott: ACT V - SCENE III
- Giles Corey of the Salem Farms: DAMATIS PERSONÆ
- Giles Corey of the Salem Farms: PROLOGUE
- Giles Corey of the Salem Farms: ACT I - SCENE I
- Giles Corey of the Salem Farms: ACT I - SCENE II
- Giles Corey of the Salem Farms: ACT II - SCENE I
- Giles Corey of the Salem Farms: ACT II - SCENE II
- Giles Corey of the Salem Farms: ACT II - SCENE III
- Giles Corey of the Salem Farms: ACT III - SCENE I
- Giles Corey of the Salem Farms: ACT III - SCENE II
- Giles Corey of the Salem Farms: ACT III - SCENE III
- Giles Corey of the Salem Farms: ACT III - SCENE IV
- Giles Corey of the Salem Farms: ACT IV - SCENE I
- Giles Corey of the Salem Farms: ACT IV - SCENE II
- Giles Corey of the Salem Farms: ACT V - SCENE I
- Giles Corey of the Salem Farms: ACT V - SCENE II
- Giles Corey of the Salem Farms: ACT V - SCENE III
- Giles Corey of the Salem Farms: ACT VI - SCENE IV