SCENE I. JOHN ENDICOTT’S room. Early morning.
JOHN ENDICOTT.
“Why dost thou persecute me, Saul of Tarsus?”
All night these words were ringing in mine ears!
A sorrowful sweet face; a look that pierced me
With meek reproach; a voice of resignation
That had a life of suffering in its tone;
And that was all! And yet I could not sleep,
Or, when I slept, I dreaded that awful dream!
I stood beneath the elm-tree on the Common
On which the Quakers have been hanged, and heard
A voice, not hers, that cried amid the darkness,
“This is Aceldama, the field of blood
I will have mercy, and not sacrifice!”
Opens the window, and looks out.
The sun is up already; and my heart
Sickens and sinks within me when I think
How many tragedies will be enacted
Before his setting. As the earth rolls round,
It seems to me a huge Ixion’s wheel,
Upon whose whirling spokes we are bound fast,
And must go with it! Ah, how bright the sun
Strikes on the sea and on the masts of vessels,
That are uplifted in the morning air,
Like crosses of some peaceable crusade!
It makes me long to sail for lands unknown,
No matter whither! Under me, in shadow,
Gloomy and narrow lies the little town,
Still sleeping, but to wake and toil awhile,
Then sleep again. How dismal looks the prison,
How grim and sombre in the sunless street, --
The prison where she sleeps, or wakes and waits
For what I dare not think of, -- death, perhaps!
A word that has been said may be unsaid:
It is but air. But when a deed is done
It cannot be undone, not can our thoughts
Reach out to all the mischiefs that may follow.
‘Tis is time for morning prayers. I will go down.
My father, though severe, is kind and just.
And when his heart is tender with devotion, --
When from his lips have fallen the words, “Forgive us
As we forgive,” – then will I intercede
For those poor people, and perhaps may save them.
[Exit.
The New England Tragedies 1868
- John Endicott: DAMATIS PERSONÆ
- John Endicott: PROLOGUE
- John Endicott: ACT I - SCENE I
- John Endicott: ACT I - SCENE II
- John Endicott: ACT I - SCENE III
- John Endicott: ACT II - SCENE I
- John Endicott: ACT II - SCENE II
- John Endicott: ACT II - SCENE III
- John Endicott: ACT III - SCENE I
- John Endicott: ACT III - SCENE II
- John Endicott: ACT III - SCENE III
- John Endicott: ACT IV - SCENE I
- John Endicott: ACT IV - SCENE II
- John Endicott: ACT IV - SCENE III
- John Endicott: ACT IV - SCENE IV
- John Endicott: ACT IV - SCENE V
- John Endicott: ACT V - SCENE I
- John Endicott: ACT V - SCENE II
- John Endicott: ACT V - SCENE III
- Giles Corey of the Salem Farms: DAMATIS PERSONÆ
- Giles Corey of the Salem Farms: PROLOGUE
- Giles Corey of the Salem Farms: ACT I - SCENE I
- Giles Corey of the Salem Farms: ACT I - SCENE II
- Giles Corey of the Salem Farms: ACT II - SCENE I
- Giles Corey of the Salem Farms: ACT II - SCENE II
- Giles Corey of the Salem Farms: ACT II - SCENE III
- Giles Corey of the Salem Farms: ACT III - SCENE I
- Giles Corey of the Salem Farms: ACT III - SCENE II
- Giles Corey of the Salem Farms: ACT III - SCENE III
- Giles Corey of the Salem Farms: ACT III - SCENE IV
- Giles Corey of the Salem Farms: ACT IV - SCENE I
- Giles Corey of the Salem Farms: ACT IV - SCENE II
- Giles Corey of the Salem Farms: ACT V - SCENE I
- Giles Corey of the Salem Farms: ACT V - SCENE II
- Giles Corey of the Salem Farms: ACT V - SCENE III
- Giles Corey of the Salem Farms: ACT VI - SCENE IV