Well pleased all listened to the tale,
That drew, the Student said, its pith
And marrow from the ancient myth
Of some one with an iron flail;
Or that portentous Man of Brass
Hephaestus made in days of yore,
Who stalked about the Cretan shore,
And saw the ships appear and pass,
And threw stones at the Argonauts,
Being filled with indiscriminate ire
That tangled and perplexed his thoughts;
But, like a hospitable host,
When strangers landed on the coast,
Heated himself red-hot with fire,
And hugged them in his arms, and pressed
Their bodies to his burning breast.
The Poet answered: "No, not thus
The legend rose; it sprang at first
Out of the hunger and the thirst
In all men for the marvellous.
And thus it filled and satisfied
The imagination of mankind,
And this ideal to the mind
Was truer than historic fact.
Fancy enlarged and multiplied
The tenors of the awful name
Of Charlemagne, till he became
Armipotent in every act,
And, clothed in mystery, appeared
Not what men saw, but what they feared.
Besides, unless my memory fail,
Your some one with an iron flail
Is not an ancient myth at all,
But comes much later on the scene
As Talus in the Faerie Queene,
The iron groom of Artegall,
Who threshed out falsehood and deceit,
And truth upheld, and righted wrong,
As was, as is the swallow, fleet,
And as the lion is, was strong."
The Theologian said: "Perchance
Your chronicler in writing this
Had in his mind the Anabasis,
Where Xenophon describes the advance
Of Artaxerxes to the fight;
At first the low gray cloud of dust,
And then a blackness o'er the fields
As of a passing thunder-gust,
Then flash of brazen armor bright,
And ranks of men, and spears up-thrust,
Bowmen and troops with wicker shields,
And cavalry equipped in white,
And chariots ranged in front of these
With scythes upon their axle-trees."
To this the Student answered: "Well,
I also have a tale to tell
Of Charlemagne; a tale that throws
A softer light, more tinged with rose,
Than your grim apparition cast
Upon the darkness of the past.
Listen, and hear in English rhyme
What the good Monk of Lauresheim
Gives as the gossip of his time,
In mediaeval Latin prose."
Tales of a Wayside Inn 1863
- Prelude; The Wayside Inn
- The Landlord's Tale; Paul Revere's Ride
- Interlude
- The Student's Tale; The Falcon of Ser Federigo
- Interlude
- The Spanish Jew's Tale; The Legend of Rabbi Ben Levi
- Interlude
- The Sicilian's Tale; King Robert of Sicily
- Interlude
- The Musician's Tale; The Saga of King Olaf - I. The Challenge of Thor
- The Musician's Tale; The Saga of King Olaf - II. King Olaf's Return
- The Musician's Tale; The Saga of King Olaf - III. Thora of Rimol
- The Musician's Tale; The Saga of King Olaf - IV. Queen Sigrid the Haughty
- The Musician's Tale; The Saga of King Olaf - V. The Skerry of Shrieks
- The Musician's Tale; The Saga of King Olaf - VI. The Wraith of Odin
- The Musician's Tale; The Saga of King Olaf - VII. Iron-Beard
- The Musician's Tale; The Saga of King Olaf - VIII. Gudrun
- The Musician's Tale; The Saga of King Olaf - IX. Thangbrand the Priest
- The Musician's Tale; The Saga of King Olaf - X. Raud the Strong
- The Musician's Tale; The Saga of King Olaf - XI. Bishop Sigurd at Salten Fiord
- The Musician's Tale; The Saga of King Olaf - XII. King Olaf's Christmas
- The Musician's Tale; The Saga of King Olaf - XIII. The Building of the Long Serpent
- The Musician's Tale; The Saga of King Olaf - XIV. The Crew of the Long Serpent
- The Musician's Tale; The Saga of King Olaf - XV. A Little Bird in the Air
- The Musician's Tale; The Saga of King Olaf - XVI. Queen Thyri and the Angelica Stalks
- The Musician's Tale; The Saga of King Olaf - XVII. King Svend of the Forked Beard
- The Musician's Tale; The Saga of King Olaf - XVIII. King Olaf and Earl Sigvald
- The Musician's Tale; The Saga of King Olaf - XIX. King Olaf's War-Horns
- The Musician's Tale; The Saga of King Olaf - XX. Einar Tamberskelver
- The Musician's Tale; The Saga of King Olaf - XXI. King Olaf's Death-Drink
- The Musician's Tale; The Saga of King Olaf - XXII. The Nun of Nidaros
- Interlude
- The Theologian's Tale; Torquemada
- Interlude
- The Poet's Tale; The Birds of Killingworth
- Finale
- Prelude
- The Sicilian's Tale; The Bell of Atri
- Interlude
- The Spanish Jew's Tale; Kambalu
- Interlude
- The Student's Tale; The Cobbler of Hagenau
- Interlude
- The Musician's Tale; The Ballad of Carmilhan - I.
- The Musician's Tale; The Ballad of Carmilhan - II.
- The Musician's Tale; The Ballad of Carmilhan - III.
- The Musician's Tale; The Ballad of Carmilhan - IV.
- Interlude
- The Poet's Tale; Lady Wentworth
- Interlude
- The Theologian's Tale; The Legend Beautiful
- Interlude
- The Student's Second Tale; The Baron of St. Castine
- Finale
- Prelude
- The Spanish Jew's Tale; Azrael
- Interlude
- The Poet's Tale; Charlemagne
- Interlude
- The Student's Tale; Emma and Eginhard
- Interlude
- The Theologian's Tale; Elizabeth
- Interlude
- The Sicilian's Tale; The Monk of Casal-Maggiore
- Interlude
- The Spanish Jew's Second Tale; Scanderbeg
- Interlude
- The Musician's Tale; The Mother's Ghost
- Interlude
- The Landlord's Tale; The Rhyme of Sir Christopher
- Finale