I trust that somewhere and somehow
You all have heard of Hagenau,
A quiet, quaint, and ancient town
Among the green Alsatian hills,
A place of valleys, streams, and mills,
Where Barbarossa's castle, brown
With rust of centuries, still looks down
On the broad, drowsy land below,--
On shadowy forests filled with game,
And the blue river winding slow
Through meadows, where the hedges grow
That give this little town its name.
It happened in the good old times,
While yet the Master-singers filled
The noisy workshop and the guild
With various melodies and rhymes,
That here in Hagenau there dwelt
A cobbler,--one who loved debate,
And, arguing from a postulate,
Would say what others only felt;
A man of forecast and of thrift,
And of a shrewd and careful mind
In this world's business, but inclined
Somewhat to let the next world drift.
Hans Sachs with vast delight he read,
And Regenbogen's rhymes of love,
For their poetic fame had spread
Even to the town of Hagenau;
And some Quick Melody of the Plough,
Or Double Harmony of the Dove,
Was always running in his head.
He kept, moreover, at his side,
Among his leathers and his tools,
Reynard the Fox, the Ship of Fools,
Or Eulenspiegel, open wide;
With these he was much edified:
He thought them wiser than the Schools.
His good wife, full of godly fear,
Liked not these worldly themes to hear;
The Psalter was her book of songs;
The only music to her ear
Was that which to the Church belongs,
When the loud choir on Sunday chanted,
And the two angels carved in wood,
That by the windy organ stood,
Blew on their trumpets loud and clear,
And all the echoes, far and near,
Gibbered as if the church were haunted.
Outside his door, one afternoon,
This humble votary of the muse
Sat in the narrow strip of shade
By a projecting cornice made,
Mending the Burgomaster's shoes,
And singing a familiar tune:--
"Our ingress into the world
Was naked and bare;
Our progress through the world
Is trouble and care;
Our egress from the world
Will be nobody knows where;
But if we do well here
We shall do well there;
And I could tell you no more,
Should I preach a whole year!"
Thus sang the cobbler at his work;
And with his gestures marked the time
Closing together with a jerk
Of his waxed thread the stitch and rhyme.
Meanwhile his quiet little dame
Was leaning o'er the window-sill,
Eager, excited, but mouse-still,
Gazing impatiently to see
What the great throng of folk might be
That onward in procession came,
Along the unfrequented street,
With horns that blew, and drums that beat,
And banners flying, and the flame
Of tapers, and, at times, the sweet
Voices of nuns; and as they sang
Suddenly all the church-bells rang.
In a gay coach, above the crowd,
There sat a monk in ample hood,
Who with his right hand held aloft
A red and ponderous cross of wood,
To which at times he meekly bowed.
In front three horsemen rode, and oft,
With voice and air importunate,
A boisterous herald cried aloud:
"The grace of God is at your gate!"
So onward to the church they passed.
The cobbler slowly tuned his last,
And, wagging his sagacious head,
Unto his kneeling housewife said:
"'Tis the monk Tetzel. I have heard
The cawings of that reverend bird.
Don't let him cheat you of your gold;
Indulgence is not bought and sold."
The church of Hagenau, that night,
Was full of people, full of light;
An odor of incense filled the air,
The priest intoned, the organ groaned
Its inarticulate despair;
The candles on the altar blazed,
And full in front of it upraised
The red cross stood against the glare.
Below, upon the altar-rail
Indulgences were set to sale,
Like ballads at a country fair.
A heavy strong-box, iron-bound
And carved with many a quaint device,
Received, with a melodious sound,
The coin that purchased Paradise.
Then from the pulpit overhead,
Tetzel the monk, with fiery glow,
Thundered upon the crowd below.
Good people all, draw near!" he said;
"Purchase these letters, signed and sealed,
By which all sins, though unrevealed
And unrepented, are forgiven!
Count but the gain, count not the loss
Your gold and silver are but dross,
And yet they pave the way to heaven.
I hear your mothers and your sires
Cry from their purgatorial fires,
And will ye not their ransom pay?
O senseless people! when the gate
Of heaven is open, will ye wait?
Will ye not enter in to-day?
To-morrow it will be too late;
I shall be gone upon my way.
Make haste! bring money while ye may!'
The women shuddered, and turned pale;
Allured by hope or driven by fear,
With many a sob and many a tear,
All crowded to the altar-rail.
Pieces of silver and of gold
Into the tinkling strong-box fell
Like pebbles dropped into a well;
And soon the ballads were all sold.
The cobbler's wife among the rest
Slipped into the capacious chest
A golden florin; then withdrew,
Hiding the paper in her breast;
And homeward through the darkness went
Comforted, quieted, content;
She did not walk, she rather flew,
A dove that settles to her nest,
When some appalling bird of prey
That scared her has been driven away.
The days went by, the monk was gone,
The summer passed, the winter came;
Though seasons changed, yet still the same
The daily round of life went on;
The daily round of household care,
The narrow life of toil and prayer.
But in her heart the cobbler's dame
Had now a treasure beyond price,
A secret joy without a name,
The certainty of Paradise.
Alas, alas! Dust unto dust!
Before the winter wore away,
Her body in the churchyard lay,
Her patient soul was with the Just!
After her death, among the things
That even the poor preserve with care,--
Some little trinkets and cheap rings,
A locket with her mother's hair,
Her wedding gown, the faded flowers
She wore upon her wedding day,--
Among these memories of past hours,
That so much of the heart reveal,
Carefully kept and put away,
The Letter of Indulgence lay
Folded, with signature and seal.
Meanwhile the Priest, aggrieved and pained,
Waited and wondered that no word
Of mass or requiem he heard,
As by the Holy Church ordained;
Then to the Magistrate complained,
That as this woman had been dead
A week or more, and no mass said,
It was rank heresy, or at least
Contempt of Church; thus said the Priest
And straight the cobbler was arraigned.
He came, confiding in his cause,
But rather doubtful of the laws.
The Justice from his elbow-chair
Gave him a look that seemed to say:
"Thou standest before a Magistrate,
Therefore do not prevaricate!"
Then asked him in a business way,
Kindly but cold: "Is thy wife dead?"
The cobbler meekly bowed his head;
"She is," came struggling from his throat
Scarce audibly. The Justice wrote
The words down in a book, and then
Continued, as he raised his pen:
"She is; and hath a mass been said
For the salvation of her soul?
Come, speak the truth! confess the whole!"
The cobbler without pause replied:
"Of mass or prayer there was no need;
For at the moment when she died
Her soul was with the glorified!"
And from his pocket with all speed
He drew the priestly title-deed,
And prayed the Justice he would read.
The Justice read, amused, amazed;
And as he read his mirth increased;
At times his shaggy brows he raised,
Now wondering at the cobbler gazed,
Now archly at the angry Priest.
"From all excesses, sins, and crimes
Thou hast committed in past times_
Thee I absolve! And furthermore,
Purified from all earthly taints,
To the communion of the Saints
And to the sacraments restore!
All stains of weakness, and all trace
Of shame and censure I efface;
Remit the pains thou shouldst endure,
And make thee innocent and pure,
So that in dying, unto thee
The gates of heaven shall open be!
Though long thou livest, yet this grace
Until the moment of thy death
Unchangeable continueth!"
Then said he to the Priest: "I find
This document is duly signed
Brother John Tetzel, his own hand.
At all tribunals in the land
In evidence it may be used;
Therefore acquitted is the accused."
Then to the cobbler turned: "My friend,
Pray tell me, didst thou ever read
Reynard the Fox?"--"O yes, indeed!"
"I thought so. Don't forget the end."
Tales of a Wayside Inn 1863
- Prelude; The Wayside Inn
- The Landlord's Tale; Paul Revere's Ride
- Interlude
- The Student's Tale; The Falcon of Ser Federigo
- Interlude
- The Spanish Jew's Tale; The Legend of Rabbi Ben Levi
- Interlude
- The Sicilian's Tale; King Robert of Sicily
- Interlude
- The Musician's Tale; The Saga of King Olaf - I. The Challenge of Thor
- The Musician's Tale; The Saga of King Olaf - II. King Olaf's Return
- The Musician's Tale; The Saga of King Olaf - III. Thora of Rimol
- The Musician's Tale; The Saga of King Olaf - IV. Queen Sigrid the Haughty
- The Musician's Tale; The Saga of King Olaf - V. The Skerry of Shrieks
- The Musician's Tale; The Saga of King Olaf - VI. The Wraith of Odin
- The Musician's Tale; The Saga of King Olaf - VII. Iron-Beard
- The Musician's Tale; The Saga of King Olaf - VIII. Gudrun
- The Musician's Tale; The Saga of King Olaf - IX. Thangbrand the Priest
- The Musician's Tale; The Saga of King Olaf - X. Raud the Strong
- The Musician's Tale; The Saga of King Olaf - XI. Bishop Sigurd at Salten Fiord
- The Musician's Tale; The Saga of King Olaf - XII. King Olaf's Christmas
- The Musician's Tale; The Saga of King Olaf - XIII. The Building of the Long Serpent
- The Musician's Tale; The Saga of King Olaf - XIV. The Crew of the Long Serpent
- The Musician's Tale; The Saga of King Olaf - XV. A Little Bird in the Air
- The Musician's Tale; The Saga of King Olaf - XVI. Queen Thyri and the Angelica Stalks
- The Musician's Tale; The Saga of King Olaf - XVII. King Svend of the Forked Beard
- The Musician's Tale; The Saga of King Olaf - XVIII. King Olaf and Earl Sigvald
- The Musician's Tale; The Saga of King Olaf - XIX. King Olaf's War-Horns
- The Musician's Tale; The Saga of King Olaf - XX. Einar Tamberskelver
- The Musician's Tale; The Saga of King Olaf - XXI. King Olaf's Death-Drink
- The Musician's Tale; The Saga of King Olaf - XXII. The Nun of Nidaros
- Interlude
- The Theologian's Tale; Torquemada
- Interlude
- The Poet's Tale; The Birds of Killingworth
- Finale
- Prelude
- The Sicilian's Tale; The Bell of Atri
- Interlude
- The Spanish Jew's Tale; Kambalu
- Interlude
- The Student's Tale; The Cobbler of Hagenau
- Interlude
- The Musician's Tale; The Ballad of Carmilhan - I.
- The Musician's Tale; The Ballad of Carmilhan - II.
- The Musician's Tale; The Ballad of Carmilhan - III.
- The Musician's Tale; The Ballad of Carmilhan - IV.
- Interlude
- The Poet's Tale; Lady Wentworth
- Interlude
- The Theologian's Tale; The Legend Beautiful
- Interlude
- The Student's Second Tale; The Baron of St. Castine
- Finale
- Prelude
- The Spanish Jew's Tale; Azrael
- Interlude
- The Poet's Tale; Charlemagne
- Interlude
- The Student's Tale; Emma and Eginhard
- Interlude
- The Theologian's Tale; Elizabeth
- Interlude
- The Sicilian's Tale; The Monk of Casal-Maggiore
- Interlude
- The Spanish Jew's Second Tale; Scanderbeg
- Interlude
- The Musician's Tale; The Mother's Ghost
- Interlude
- The Landlord's Tale; The Rhyme of Sir Christopher
- Finale