"Now that is after my own heart,"
The Poet cried; "one understands
Your swarthy hero Scanderbeg,
Gauntlet on hand and boot on leg,
And skilled in every warlike art,
Riding through his Albanian lands,
And following the auspicious star
That shone for him o'er Ak-Hissar."
The Theologian added here
His word of praise not less sincere,
Although he ended with a jibe;
"The hero of romance and song
Was born," he said, "to right the wrong;
And I approve; but all the same
That bit of treason with the Scribe
Adds nothing to your hero's fame."
The Student praised the good old times,
And liked the canter of the rhymes,
That had a hoofbeat in their sound;
But longed some further word to hear
Of the old chronicler Ben Meir,
And where his volume might he found.
The tall Musician walked the room
With folded arms and gleaming eyes,
As if he saw the Vikings rise,
Gigantic shadows in the gloom;
And much he talked of their emprise
And meteors seen in Northern skies,
And Heimdal's horn, and day of doom.
But the Sicilian laughed again;
"This is the time to laugh," he said,
For the whole story he well knew
Was an invention of the Jew,
Spun from the cobwebs in his brain,
And of the same bright scarlet thread
As was the Tale of Kambalu.
Only the Landlord spake no word;
'T was doubtful whether he had heard
The tale at all, so full of care
Was he of his impending fate,
That, like the sword of Damocles,
Above his head hung blank and bare,
Suspended by a single hair,
So that he could not sit at ease,
But sighed and looked disconsolate,
And shifted restless in his chair,
Revolving how he might evade
The blow of the descending blade.
The Student came to his relief
By saying in his easy way
To the Musician: "Calm your grief,
My fair Apollo of the North,
Balder the Beautiful and so forth;
Although your magic lyre or lute
With broken strings is lying mute,
Still you can tell some doleful tale
Of shipwreck in a midnight gale,
Or something of the kind to suit
The mood that we are in to-night
For what is marvellous and strange;
So give your nimble fancy range,
And we will follow in its flight."
But the Musician shook his head;
"No tale I tell to-night," he said,
"While my poor instrument lies there,
Even as a child with vacant stare
Lies in its little coffin dead."
Yet, being urged, he said at last:
"There comes to me out of the Past
A voice, whose tones are sweet and wild,
Singing a song almost divine,
And with a tear in every line;
An ancient ballad, that my nurse
Sang to me when I was a child,
In accents tender as the verse;
And sometimes wept, and sometimes smiled
While singing it, to see arise
The look of wonder in my eyes,
And feel my heart with terror beat.
This simple ballad I retain
Clearly imprinted on my brain,
And as a tale will now repeat."
Tales of a Wayside Inn 1863
- Prelude; The Wayside Inn
- The Landlord's Tale; Paul Revere's Ride
- Interlude
- The Student's Tale; The Falcon of Ser Federigo
- Interlude
- The Spanish Jew's Tale; The Legend of Rabbi Ben Levi
- Interlude
- The Sicilian's Tale; King Robert of Sicily
- Interlude
- The Musician's Tale; The Saga of King Olaf - I. The Challenge of Thor
- The Musician's Tale; The Saga of King Olaf - II. King Olaf's Return
- The Musician's Tale; The Saga of King Olaf - III. Thora of Rimol
- The Musician's Tale; The Saga of King Olaf - IV. Queen Sigrid the Haughty
- The Musician's Tale; The Saga of King Olaf - V. The Skerry of Shrieks
- The Musician's Tale; The Saga of King Olaf - VI. The Wraith of Odin
- The Musician's Tale; The Saga of King Olaf - VII. Iron-Beard
- The Musician's Tale; The Saga of King Olaf - VIII. Gudrun
- The Musician's Tale; The Saga of King Olaf - IX. Thangbrand the Priest
- The Musician's Tale; The Saga of King Olaf - X. Raud the Strong
- The Musician's Tale; The Saga of King Olaf - XI. Bishop Sigurd at Salten Fiord
- The Musician's Tale; The Saga of King Olaf - XII. King Olaf's Christmas
- The Musician's Tale; The Saga of King Olaf - XIII. The Building of the Long Serpent
- The Musician's Tale; The Saga of King Olaf - XIV. The Crew of the Long Serpent
- The Musician's Tale; The Saga of King Olaf - XV. A Little Bird in the Air
- The Musician's Tale; The Saga of King Olaf - XVI. Queen Thyri and the Angelica Stalks
- The Musician's Tale; The Saga of King Olaf - XVII. King Svend of the Forked Beard
- The Musician's Tale; The Saga of King Olaf - XVIII. King Olaf and Earl Sigvald
- The Musician's Tale; The Saga of King Olaf - XIX. King Olaf's War-Horns
- The Musician's Tale; The Saga of King Olaf - XX. Einar Tamberskelver
- The Musician's Tale; The Saga of King Olaf - XXI. King Olaf's Death-Drink
- The Musician's Tale; The Saga of King Olaf - XXII. The Nun of Nidaros
- Interlude
- The Theologian's Tale; Torquemada
- Interlude
- The Poet's Tale; The Birds of Killingworth
- Finale
- Prelude
- The Sicilian's Tale; The Bell of Atri
- Interlude
- The Spanish Jew's Tale; Kambalu
- Interlude
- The Student's Tale; The Cobbler of Hagenau
- Interlude
- The Musician's Tale; The Ballad of Carmilhan - I.
- The Musician's Tale; The Ballad of Carmilhan - II.
- The Musician's Tale; The Ballad of Carmilhan - III.
- The Musician's Tale; The Ballad of Carmilhan - IV.
- Interlude
- The Poet's Tale; Lady Wentworth
- Interlude
- The Theologian's Tale; The Legend Beautiful
- Interlude
- The Student's Second Tale; The Baron of St. Castine
- Finale
- Prelude
- The Spanish Jew's Tale; Azrael
- Interlude
- The Poet's Tale; Charlemagne
- Interlude
- The Student's Tale; Emma and Eginhard
- Interlude
- The Theologian's Tale; Elizabeth
- Interlude
- The Sicilian's Tale; The Monk of Casal-Maggiore
- Interlude
- The Spanish Jew's Second Tale; Scanderbeg
- Interlude
- The Musician's Tale; The Mother's Ghost
- Interlude
- The Landlord's Tale; The Rhyme of Sir Christopher
- Finale